Coding everywhere
I have recently been in Maine for the second time and went shooting at sunrise in Portland. I tried a film simulation I made for the Fujifilm X-T2 to emulate and I'm quite happy with the results.
This time, let's dig deep into the street art scene of New York to find some gems hidden in plain sight. Last time in the New York Street Art Part I, we went through some big, larger than life, artworks around the streets of Lower East Side. However, there is even more artwork that we… Continue reading New York Street Art Part II
Color grading is a great way to bring an interesting color scheme to a photo and one of the fastest ways to color grade an image is to apply a LUT.
There's a photographer in Instagram that makes some very interesting images with a distinctive cyan-red look. Let's see how to recreate it in Affinity Photo. The photographer Alper Yesiltas is better known for photographing the same window for 12 years until the building was demolished https://www.instagram.com/p/Bea_ky7By4l He has many other nice photos, and something common… Continue reading Cyan & Red photo effect in Affinity Photo
The redscale is another interesting photographic effect that traditionally was achieved with film by loading and exposing it on the opposite side. Let's see how to achieve the redscale with Affinity Photo.
On the way back from Chile to Argentina, after crossing the Andes mountains and when there are only some hills left, you'll find this magnificent view as you cross the river Blanco, in the Potrerillos town.
Going down some very curvy roads, I shot this small stream of water amidst the greatness of the Andes mountain range.
The sun finally sets with a splash of colors at around 8:30 pm in Totoralillo, a beautiful chilean beach.
The bleach bypass is a widely used photographic effect to process traditional film. Let's recreate bleach bypass in Affinity Photo using its adjustment layers.